Max Feinstein’s “Redefine” has pitched viewers into a fearless terror of the sound. Set to dissonant growls, ubiquitous orchestral constructs, and a pulsating thud that sounds somewhere in between the two, Max’s album simultaneously devastates and energizes.
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All About the Album “Redefine”
Max Feinstein’s “Redefine” is a five-track album that was released on September 17, 2019. It was mixed by Dave Campbell (of Deftones and Helmet).
The album cover is an illustration by Ashley Wood.
The theme of the album is “panic”.
In an interview with Billboard, Max Feinstein said: “I wanted to make an album that felt like it was in a nightmare – like you’re being chased by something bad, and you can’t shake it. And I wanted the music to be really pulse-pounding and menacing.” The album has been met with mixed reviews. Some critics have praised the new direction Feinstein has taken on his music, while others find it to be unoriginal and unenjoyable. Themes of death, panic, and paranoia run throughout the album.
Individual Track Analysis
Max Feinstein’s “Redefine” is eerily catchy, but also punishingly dark. The songs are all tightly constructed and feature theatrical electronic beats and proclamations from Feinstein that add to the overall unsettling atmosphere. This isn’t an album for the faint of heart. It’s an intense journey that leaves you wondering what kind of hellish landscape Max Feinstein has created.
The album starts off with a bang, as “Severance” kicks in with a frantic rhythm and clanging synths. Feinstein’s unsettling vocals set the tone for the rest of the album, as each track becomes more disturbing and harrowing. “Redefine” is sheer violence wrapped in sound and fury, making it one of the most unique creepypasta albums ever released.
Album and its Production
The first thing that caught my attention with Max Feinstein’s newest album, “Redefine,” was the cover art. It’s a brilliantly gruesome and grotesque image of a human skull impaled on a giant red spike. The images paired well with the darker composition and soundscape that this album presents. I wasn’t prepared for what I was about to hear.
“Redefine” is an intense and harrowing journey through sound, both musically and lyrically. Max has fused various dark genres together to create an oppressive and nightmarish sonic landscape. The music flows seamlessly together and creates an oppressive atmosphere that is difficult to shake. Even though there isn’t much variation in the soundscape, each track feels unique and important. There are strong rhythms and dissonant melodies that create an oppressive feeling, while the lyrics deal with such dark subjects as death, violence, madness, and alienation.
There are some very powerful messages conveyed in “Redefine.” It’s an important album that should be listened to by anyone who wants to confront their dark thoughts and feelings head-on. It’s a challenging experience, but it’s well worth it in the end.
Max Feinstein “Redefine” – Review
Max Feinstein’s “Redefine” is a nightmarish journey in sound. The album features seven tracks of desolate, macabre music that drags listeners into a world of unspoken fears and dark secrets. Feinstein’s voice is haunting and otherworldly, conveying a feeling of isolation and detachment from the natural world.
The album’s title track is an excellent example of this. Because it begins with an eerie, ghostly melody accompanied only by Feinstein’s vocals and the occasional crunch of cymbals. As the song builds momentum, the accompaniment becomes more complex. Hence, incorporating overlapping guitar strings and eerie synths. The result is a frighteningly atmospheric track that will leave you feeling unsettled and unable to shake the feeling that something evil is lurking just around the corner.
Other standout tracks on “Redefine” include “The Mourning Woods,” which contains chilling violins and choirs accompanied by sparse percussion, and “The Catacombs.” This track features ethereal female vocals that contribute an air of mystery and darkness to proceedings. Overall, “Redefine” is an impressive effort from a band that has managed to blend unsettling imagery and anthemic sounds with captivating results.
It’s a constant struggle for me to stay faithful when it comes to art that features occult icons and design. “Redefine,” the Melvins’ latest project, does little to change this? Heady head music fans have learned to handle the inclusion of Robert Johnson, Alice Cooper, Anton LaVey and OB White in their favourite bands; but the dead despots who haunt my nightmares haven’t quite managed to give in completely yet.